How We Price Creative Work Without Guessing
Hourly billing punishes you for getting faster. Here is the fixed-scope model we moved to, and the two kinds of project where it still does not work.
Read Full Story →Hourly billing punishes you for getting faster. Here is the fixed-scope model we moved to, and the two kinds of project where it still does not work.
Read Full Story →The pattern was consistent: projects went sideways during content, never during design. Every single time. Write the Copy First We now refuse to open a design tool until… View Case Study →
An animation earns its place when removing it makes the interface harder to understand. Everything else is a load-time cost with a personality.
Most design systems die in the handoff. The ones that survive are the ones where the design file and the production code share a vocabulary — same names,… View Case Study →
Three decades of catalogues, trade-show banners and a logo drawn by the founder’s brother. The brief was not “make it modern” — it was “make it legible in… View Case Study →
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Most design systems die in the handoff. The ones that survive are the ones where the design file and the production code share a vocabulary — same names,… View Case Study →
Inverting a light palette does not produce a dark one. Accent colours that pass contrast on white routinely fail on near-black, and the fix is a second, lighter… View Case Study →
Hourly billing punishes you for getting faster. Here is the fixed-scope model we moved to, and the two kinds of project where it still does not work.
The pattern was consistent: projects went sideways during content, never during design. Every single time. Write the Copy First We now refuse to open a design tool until… View Case Study →
An animation earns its place when removing it makes the interface harder to understand. Everything else is a load-time cost with a personality.
Four combinations, used across roughly forty projects, that have never once caused a licensing argument or a rendering surprise on Windows.